After building my first SE 300B amp in the mid 90s, I embarked on a
search for more efficient speakers to replace my Spendor LS3/5A. I had just
purchased a pair of Altec 755Cs at an Audiomart Show and was looking for a
suitable enclosure for the unit. Fortunately I came across an open baffle
article in Stereo
Sound "Tube Kingdom", Volume 3, 1996. I
don't read Japanese but these magazines (like MJ) have detailed pictures where
I get a lot of ideas for projects. The article was a "shootout" of
8" full range and coaxial drivers - Altec/WE755A, Altec 755C and 755E, Altec
409B and 409-8E, JBL LE8T-H, EV Pro-8A, as well as 15" coaxials- Altec
604-8K and JBL 2155H.
The Stereo Sound plan was in metric and used a material similar to a
butcher block around 3/4" thick. It was designed to take adapter plates so
that an 8" or 15" driver can be mounted on the same baffle. Knowing
that such material will cost a lot of money and hard to procure, I decided that
the easiest way to build my baffle was to convert the dimensions to inches and
make a quick trip to the lumber yard for 3/4" baltic birch plywood pieces
cut to size so that I can start listening. Here is my version of the Open
Baffle.
This open baffle was part of my Home Brewer Article published in Sound Practices Issue 17.
Around the same time I embarked on this project, my friend Ding acquired
a pair of Altec 604-8G and was also looking for a suitable cabinet. I
immediately faxed the plan to his office and that same weekend he called
stating that it was a success. He still uses the same configuration after
trying a couple of bass reflex cabinets through the ensuing years. Likewise a
few of my SETUP
friends have so far found no reason to
experiment further with enclosures.
 |
| Ding's Altec 604-8G |
I later found the June 1996 Hi-Fi News and record reviews, "Classic
Hifi Supplement" issue which reprinted a November 1956 review of the
Wharfedale SFB/3 designed by G.A Briggs.
Wharfedale SFB3
This baffle has almost exactly the
same dimensions as the Stereo Sound version, which also shared the proportion
of the original Quad ESL57, another favorite speaker from my PP amp days.
G. A. Briggs prototype
Brigg's approach was to use thinner sheets of plywood "sand-filled" in between for the baffle and utilized a 3-way configuration using 12" and 10" drivers with a 3" cone tweeter mounted on the rear top plate firing upwards.
There must be something behind the dimensions [golden mean, perhaps?] that make it work. Of course one cannot expect ultimate bass extension with an open baffle but the lack of cabinet colorations gives purity to the sound that many will find very appealing. It won't cost much and not too difficult to build so give it a try with your favorite driver.
FAQs about the OB plan"Form follows function"
1. Materials [acrylic, plexiglass, MDF and etc.] - visitors to this site
are already familiar with my adversity towards "dead sounding"
synthetic components. Solid wood or edge glue butcher block type material will
probably give the best sonic quality. I endorse 3/4" plywood because that
is the material I use and very satisfied with the sonic results. Besides it is cheap and if you like what you hear
and decide to experiment with your own exotic materials later not much is lost
with the initial investment.
2. Driver off set - I have read in various reference materials on audio
that off setting the mounting position [slightly off center] of the driver can
further reduce cancellation. I have not tried this because in the real world
unless your cutting tool is aided by computer and laser devices, it is almost
impossible to perfectly cut exactly at center. So I do not worry about it.
Free field response graph
how not to...
4. Tall and narrow baffle vs. wide and squat - the table above shows
that 35.5" will give a low frequency response sharply falling by 90hz but
this is free field - floor mounting provides an
additional barrier to the nominal 35.5" width which significantly
helps the low frequencies. Turn it around so that it becomes slimmer
(35.5" tall x 31.5" width) and hear how bass extension
suffers.....keep this in mind before designing a modern looking Magnepan style OB (see above). G.A.
Briggs was a fine engineer with good
ears that's why he designed his OB to mimic Quad ESL 57 proportions, or was it Peter Walker? I think they were acquainted and exchanged notes on their research and development.
OB built using Philippine Tanguile wood flooring planks
mounting hole is for an Altec 605B Duplex
5. What's the purpose of the 6" x 8" top plate? This may look like an after thought but omit this from the design and you lose overall definition from the bass to the midrange. It serves as a deflector and focuses the sound. The back legs and this top plate serve to further delay or disperse rear sound waves from reaching the front too soon which can result in bass cancellation.